Compare and contract micheloangelo david and bernini's david Essay

Compare and contract micheloangelo david and berninis david - Essay ExampleDuring the Renaissance period, people rediscovered the skill and knowledge of the past worlds of Greece and Rome. The lessons learned from the ancients contributed significantly to the technical developments in realistic painting that emerged during this period through the efforts of a compartmentalization of famous artists including Masaccio, Botticelli, Leonardo da Vinci and Michelangelo. As the period waned, Baroque artists such as Caravaggio, Rubens and Bernini focused more than upon natural expression, form and emotion in their work. By comparing representative works of sculpture from each of these two periods, such as David by Michelangelo and David by Bernini, unity can get a whiz of the difference between Renaissance and Baroque art and attitudes as well as an understanding of why these different approaches can sometimes be confused. Michelangelos David was created over a space of three years - fr om 1501 until 1503 - and was cut out of a solid block of Carrera marble. The figure of David stands more than 17 feet tall and shows him in contrapposto stance. This subject matter that his back pegleg is straight and obviously is supporting most of his weight spell his front leg is meagerly bent with the foot resting on the ground for balance. This was a favorite position for Greek and Roman statuary, which is what Michelangelo was trying to replicate using Biblical instead of mythological figures. This pose tends to throw the hips out of alignment, forcing unitary up and out and the other down and in, which is seen in this statue. At the same time, his right shoulder dips slightly down toward his out-thrust hip and his head twists to look over his slightly raised left shoulder. Michelangelos David is completely nude person and stands with his sling resting back over his left shoulder as if he is sizing up his competitor for the stone throw that will bring him victory. His left hand supports the sling near his shoulder while his right hand is held tensely down by his thigh. His hand is bent in a route that suggests he could be holding the stone he intends to use. Davids chin is slightly down, causing his eyes to splendour out from under a wavy abundance of bangs hanging over his forehead and he appears throw for the battle nearly to begin. Berninis David was created more than a century later, carved out of marble during a heptad month period from 1623 to 1624. This statue is life-sized and shows David in a moment of action, just as he is about to let his stone fly. His stance can best be described as mid-leap although both feet guide contact with the ground. His hips and head face forward, but his upper body is twisted more or less to the side with one arm behind him as he gets ready to launch his missile. Although he is not nude, there is a great deal of musculature visible in his frame, such as in the lines of his exposed legs and the muscle s of his resist where the light fabric of his garment clings to his body. Whether this is because it is wet with the sweat of his fear in facing the giant or because it is being pressed to his body because of the wind of his motions is unclear. It might even be simply because Bernini wanted to rise a fine physique in his character. The muscles of his upper body seem almost alive as they ripple over his rib cage and through his chest while the fabric of his garment bunches around his upper thighs and hips and fastens over his